Monday, July 25, 2011

Are You Ready for This Shit?

So, after three and a half months of waiting, my corset finally arrived today.

o.o

I'm amazed.  I'm so excited.  I cannot wait for Ren Fest and Halloween this year.  In fact, I'm so happy with the corset that I put it on (fits like a glove) as well as most of the rest of the costume (excludes belt and belt pouch).

Pictures:

Corset




Corset on me with under-pants leggings of costume




Corset on me under my Mother Confessor Dress



Yeah, I know I'm lame taking pictures of myself in the mirror, but Luke was busy and I didn't want to bug him about it.  I didn't put the belt on that I have, but I'll definitely wear that for the fair.  I might find a dagger and sheath I can wear on my upper arm.  Attach some crows feathers to it.  Dunno, gonna see what I can find at the fair.

YAY!  IT'S FINALLY DONE.  MY COSTUME IS COMPLETE.  Weeeeee!


Sunday, July 24, 2011

Randomness

OMG it's finally clean!  The whole house is clean!  Things I'd like to note about cleaning:

1.)  Cleaning takes way too long by yourself.
2.)  Swiffer company rocks.  All of their products make my life easier
3.)  Cats shed far too much.
4.)  I need to start cleaning once a week instead of every other week.
5.)  Fabreez makes the best scent products.

I have also developed a permanent cleaning hair style.  See below.

And so my mom can rest easier knowing I did not fuck my hair up, here's what it looks like, down, with the purple highlights.

New Fabreez fake-o candle is also attached.

That is akk.  Oh and my corset for my costume will FINALLY be here tomorrow.  Yay!




Friday, July 15, 2011

Harry Potter and the Deathly Hallows Part 2

Grab a chair, something to eat and drink, strap in, and get ready for a wild ride, keedos.  This is going to be a no holds barred, knock down, drag out review of Harry Potter and the Deathly Hallows Part 2.  Why?  Simply because it was fucking fantastic.  Disclaimer:  If I have recollected any scenes out of order, I apologize.  I'm very tired today as I'm operating on 3 hours of sleep.

It is, by far, the best movie in the series.  It surpasses Goblet of Fire with ease.  And the reasons why I think this movie is so much better is because they stuck as closely to the book as possible when adapting to a movie.  Sure, some scenes didn't even occur, and some were modified heavily to include more action.  But they were done with a very appropriate attitude, taking in to consideration the plethora a viewers that were hellbent on seeing a great production.

Spoilers ahead, if you haven't read the books or seen the movie yet.  Or both.

The opening seen is heartbreaking and breathing-taking at the same time.  A dull, drab, and ghostly looking Hogwarts looms out of the fog, no fires or torches lit.  A soft, lilting voice enters singing a haunting melody on open vowel tones.  We see children of the school marching in rank from the grounds to the entrance of the castle in the courtyard.  Above, framed in an open window, is the new Headmaster, Severus Snape.  The name of the song, I later learned, turns out to be Lily's Theme on the soundtrack.  /tear.

After this, the movie picks up immediately where the previous left off.  Harry has finished burying Dobby and is lamenting his passing.  It is at this point that Harry is very well aware that something else is hidden with in the Lestrange's vault because Bellatrix was quite fearful that the three of them had entered her vault to steal the sword of Gryffindor.

Harry must make a choice.  He must decide whether to chase Horcruxes or Hallows.  As much as he wants to prevent Voldemort from obtaining the Elder Wand, he knows he's already too late, and speaks with Griphook first about getting in to the Lestrange's vault for another Horcrux.

This is played out very well in the movie; Griphook's character is well-portrayed, although Harry's unwillingness to give up the sword of Gryffindor in exchange for getting the three of them in to Gringotts is not done quite well.

The producers were able to amend that though.  They go to Gringotts with Hermione under the guise of Bellatrix via polyjuice potion.  They really stay at Shell Cottage for a couple months before heading to the bank so as to develop a plan.  This is left out of the movie, but it was handled well enough that it doesn't matter.

Watching Helena Bonham Carter go from the persona of crazy psycho bitch (Bellatrix) to polite young witch lady (Hermione) was wonderful.  I may not like Carter much, but her acting was superb.  All down to her tripping on her own heals to show that Hermione was very uncomfortable in the shape of the woman as well as her clothes.

Gringotts was a fantastic set of scenes.  Traveling down to the vault was fun, the waterfall washing away their disguises was great and the fall was quite thrilling.  What I enjoyed the most though was the Lestrange's vault. I liked how haphazardly possessions were strewn about the vault and that near the middle, on decent sized round table, was a pile of Galleons all neatly arranged in towering spires of gold.  The Gemini curse on everything in the vault was executed perfectly.  However, the secondary curse that they somewhat gloss over is the Flagantre curse that is also on these items which simply burns the person touching the item.  It wasn't important, so I had no qualms with it.

Throughout these scenes, the score has been top notch.  Alexandre Desplat is a music genius.  You can hear echos of different pieces and themes from the entire series of movies randomly, yet exquisitely placed throughout the score.  And these echos of events passed usually occur during extremely meaningful events in this movie.

Griphook manages to get a hold of Hufflepuff's cup before the trio can exit the vault.  So he demands the sword in exchange for the cup, leaves the vault, and grabs the attention of guards that are already on their way down.  The group then makes their escape, quite amazingly, via the old, blind and beaten dragon.

The coordination of this scene is excellent.  Ron and Harry have no clue what to do, but Hermione has a bat-shit crazy idea, stating that it's completely insane but goes through with it anyway.  She blasts away a balcony railing, runs back into the hallway they're hiding in and then runs to the balcony, launching herself on to the back of the dragon.  The camera angles used for this are from the side, so you see Hermione dart past in a blur of black (still in Bellatrix's robes).  I very much enjoyed this camerawork.

After escaping, they fly around a bit on the dragon, as in the books, and then leap into a lake as the dragon dips down.  Here, Harry has a Voldy-fit, and it's executed with precision.  You see flashes of green, of Voldemort in his rage, and that he's figured out Harry is hunting Voldemort's horcruxes.

I particularly enjoyed Harry's line after they leave the water.  He's convincing them to go back to Hogwarts since one of the remaining two horcruxes are hidden here (as he just witnessed via Voldy's thoughts) as they change in to dry clothing.  Hermione states this would be foolhardy without a plan.  Harry promptly retorts with something similar to the following:

"Hermione, we don't have time to make a plan, and let's face it, every time we do make a plan, it all goes to hell once we get there."

It's so true, it's almost not funny.  Every book in the entire series has had them carefully planning things out to try to succeed in some way with some goal, and it usually goes to shit once they attempt executing said plan.

While they are discussing this quickly, and changing clothes, the camera is simply spinning around outside of them, making a couple revolutions until it slows and they Apparate away to Hogsmead. Their arrival sets off an alarm, and with some quick footwork, and the assistance of Aberforth Dumbledore, the group escapes and eventually re-enters Hogwarts grounds.  Neville accompanies them through a passageway behind the portrait of Arianna Dumbledore, Aberforth and Albus' younger sister.  The portrait was quite nicely done.

The meeting with Aberforth as a little lackluster; I was hoping for at least some background and divulging of what happened the day Arianna was killed, but eh, that's just me being picky.  Wasn't really necessary, they got the point across of Aberforth's dislike of his brother just fine.

The Room of Requirement looked excellent, as I was hoping it would.  I really enjoyed Seamus' comments, as always, and thoroughly enjoyed the reaction of Harry seeing Ginny for the first time in months.  The banter back and forth between Ron and Seamus was a riot.  So funny.

The ensuing scenes stray drastically from the book, but I felt it was necessary to do this.  The book gets fairly disconnected here (not in a bad way, it fits a novel just fine, but does not fit screen writing at all).  So instead of Luna and Harry venturing to Ravenclaw tower off the bat, they are essentially all wrangled in to the great hall where Snape threatens to let the Carrow twins beat the living piss out of every single one of them until someone gives Harry up.

In a nice twist, Harry gives himself up.  He comes out, spats some quite hateful things at him, which were merited at the time given that Harry knew little about Snape's past.  He also says that Snape has some pretty bad security holes, as Order of the Phoenix members bust open the doors to the great hall and enter in a very super-hero-esque fashion.  Snape makes a move to attack Harry, and McGonagall steps in to protect him.  She lashes out with wicked fire attacks, the special effects of which were top notch.

The book somewhat reenters here and Snape does his little death eater black misty thing, and breaks through a window int he great hall, escaping.  I like the death eater black poof misty thing.  I really liked it when it was introduced, in contrast to the white poofy mist of the Order of the Phoenix members in Order of the Phoenix.

McGonagall provides whatever assistance Harry requests, to which all he says is that he needs time.  Voldemort speaks to them in their heads.  I thought this was going to occur differently.  I felt it was more of a regularly spoken voice, as though someone was standing next to you talking.  But what the producers did here was make it seem as though Voldemort was invading the students minds and he whispered, sound much like a snake, that they should give up Harry Potter.  Some of the girls start screaming violently.  I mean, blood-curdling, red-rum, murder-victim type screams.  While this is occurring all of the flames that McGonagall had just lit in the hall extinguish and a very cold, faint grey light is all that is left to illuminate the room.  It was pretty effing creepy.

Pansy Parkinson makes her appearance, stating that Harry is right there, what are we waiting for!  To which all of the students respond by standing next to him.  A bit of comedic relief from Filtch, and McGonagall orders Filtch escort the Slytherins to the dungeons.  Yaaay!

McGonagall then gives a heartwarming one liner to Harry:  "It's good to see you back, Potter."  /aw.  She then gives the teachers and Order of the Phoenix members instructions on protecting the castle.  She then, accompanied by Molly, casts the spell to awaken Hogwarts natural defenses.  The stone warriors and fighters come to life and march out on to the grounds.  And then McGonagall, like a giddy little school girl, turns to Molly and says:

"I've always wanted to cast that spell!"

LAWL.

Harry then rushes off to Ravenclaw tower, and Ron and Hermione take off for the Chamber of Secrets after a quick talk.  This again diverges from the book a bit but not terribly so.  It was handled quite well, I thought.

Luna delivers one of the best lines in the movie when Harry is attempting to clime the stairs to Ravenclaw tower.  Something to the effect of:  "Harry Potter, you listen to me when I am talking to you!"  She does this in the book as well, if I remember correctly.  It was very funny to hear such a heated tone come from cool, calm, and collected Luna Lovegood.

She informs Harry that going to Ravenclaw tower is a waste of time (duh) because no living person knows where the diadem of Ravenclaw is.  She gives him a hint, a nudge in the right direction.  They go together so Luna can lead him to the Grey Lady, Ravenclaw's ghost.

The scene cuts to Hermione and Ron.  Ron manages a good bit of Parsletongue to enter the Chamber again.  I was worried about this scene originally and why the hell they had to show it.  I know why now.

After obtaining the basilisk fang, Ron insists that Hermione destroy it.  She protests, he insists.  He puts the cup on the ground, and with an all might dagger-like stab, Hermione destroys the cup.  Harry and Voldy both go in to fits, and then the waters of the Chamber rise in walls, and rush Ron and Hermione.  They attempt to run to the back of the Chamber, and you can see the face of Voldemort in the water as it crashes down upon them.

I don't like kissing scenes in movies mainly because they're not executed properly.  They look cheese, forced, or just weird.  However, as Ron and Hermione stand, facing the camera in a waste-up shot, they both look to each other out of the corners of their eyes, turn slightly and then, quite literally, glom one another.  It was probably one of the better on-screen kisses I had cared to see.  It was very cute.  With a small giggle at one another, the scene cuts away.

Harry and Luna are walking down a halway and Luna insists he talk to the Grey Lady on his own.  This scene was ... kind of boring honestly.  I was hoping for the story about the Bloody Baron and herself, but we didn't get that.  Oh well.  Nothing really noteworthy here except that the ghost special effects have been honed and look really good now.

Helena Ravenclaw, the Grey Lady, gives Harry the necessary information to destroy her mother's tiara.  He tears off in search of the Room of Requirement.  Hermione and Ron are using the Marauder's Map that Harry gave them, and they see Harry disappear randomly on the map.  Ron immediately things Room of Requirement.  They take chase.

By this time there are small scenes of the castle being blown to bits as the protective barriers the teachers and Order members put up are crumbling down.  Death Eaters aplenty storm the castle as well as spiders and giants.  Grawp does not make an appearance. :(

Draco's pansy ass shows up with Crabbe and someone else who must have replaced Goyle.  It's the only casting change I've noticed in all the movies excluding the necessary recasting of Dumbledore due to Richard Harris' death.  Draco sees Harry enter the room, and follows him in with Crabbe and Goyle in tow.  Ron and Hermione eventually enter as well.  Harry searches for the tiara, finds it on his own, and then eventually comes face to face with Draco and his cronies, but Draco can't muster up the courage to kill him.

Go figure.

Punk.

Hermione and Ron show up and help Harry defend himself but the tiara is blasted away.  They have to climb a tower of chairs to retrieve it and in this time, Crabbe lights off his FiendFyre spell.  Which proceeds to engulf the entire room quite quickly.  They run away, and there's some excellent crane camera work throughout this scene as Ron, Hermione, and Harry all run for their lives.  Ron falls on some broomsticks (huzzah! what luck!) and they take off for the door.  Crabbe falls from a tower of shelves into the fire and dies.  Wa wa.  Draco and Goyle are stuck on top of a tower of stuff, and Harry insists on saving them.

They still need to get the whole CGI thing fixed for broomstick flying.  Seems like a lot of the budget for this movie went elsewhere.  It still looked a little campy.

They escape the room, and something that irked me occurs.  Ron throws a basilisk fang to Harry, which Harry uses to stab the tiara.  That's ... not right.  Harry only ever destroys one Horcrux (the Diary), and the FiendFyre was supposed to have consumed the tiara.  Harry does wildly toss the tiara back in to the fire in the room, so I'm guessing they did this for the non-readers to show the tiara was really destroyed.  Not just melting in a fire that will eventually go out, leaving the tiara in tact.  Oh well.  I think they got the point across here well enough.

Draco flees (jerk) and Harry is having another fit as Voldy spazzes out too.  Ron tells Harry to look in to Voldemort now, to look where he is.  It's probably one of Rupert Grint's most well delivered lines in the entire series.  Harry watches, and I can't remember exactly where, but he's already figured out Nagini is a Horcrux. They see Voldy is down at a small dock.  Voldy (I think at this point) talks to all the combatants again, saying that he has called off his attack and has given Harry time to bring himself forth to be dealt with, so as to prevent further deaths of his friends.

As they're leaving for the dock, they pass the great hall and this is the only details they really give on the deaths of Fred, Lupin, and Tonks.  Harry sees all his dead friends and the scene is done in slow motion (I think).  I'm actually starting to have trouble remembering some of this stuff now ...

I liked this scene, but I thought it was a little underdone.  I was hoping Fred's death was played out, actually given a full scene, but it wasn't.  Oh well.

The three of them leave the hall and venture to the docks where Voldy is talking to Snape.  This is the scene I have been waiting for since the previous movie came out.  This and the scene following it.

Voldemort and Snape banter back and forth about how the Elder Wand is not properly working for Voldy.  There were scenes previous to this where the wand was definitely acting up on Voldemort and they showed this very well with close ups of the wand cracking and popping, almost as though it was about to break.  Voldemort knows the wand doesn't rightfully belong to him because he didn't kill Dumbledore.  Blah blah, Snape killed him, so Snape has to die.

Wa wa.

He doesn't use Avade Kedavra.  And I, all of a sudden, realized that he doesn't do this in the book either.  I actually think he cuts open Snape's neck with a knife.  Rowling had to write it like this on purpose so Harry would have time to obtain Snape's memories.  I've read the book 3 or 4 times now, and only just noticed this.  Oh well, it worked for me.

Voldemort sts Nagini on Snape, too.  He gets several fang bites and then Voldemort leaves with Nagini.  Harry enters and holds the wound in Snape's neck closed long enough for Snape to say that he must "get it before it's too late".  Harry immediately understands he's talking about the tear dripping from Snape's eye.  With a vial, he gets a couple tears and stoppers it with his thumb.  Snape tells Harry to take it to the Pensive to view it all.

Snape then delivers one of the saddest lines in the entire series:

"You have your mothers eyes."

And then dies.

o.o

I didn't think I'd cry that much because I read the books and knew what was going to happen.  But no.  I cried.  A good bit.

With a gusty expulsion of his last breath, Snape passes.  I think it's here that Harry, Ron and Hermione actually pass the great hall, and Harry then leaves on his own for Dumbledore's office.  This scene was another that I was really looking forward to.  Prior to Harry viewing this scene, I can remember him looking somewhat young still.  Not tired or worn or old at all.

He takes out the Pensive, pours in Severus' tears, and then dives in.  We see Snape's past.  Lily and Snape were good friends growing up but eventually grew distant.  These scenes were handled okay, not superbly, but definitely well enough for the movie.  I was okay with how it was done, but I was sad they didn't show Lily telling Snape off for getting in to the Dark Arts.  Again, oh well.

We see the memories of Snape and Dumbledore talking, Dumbledore arranging his murder/death via Snape because he's going to die anyway.  Snape requesting Dumbledore protect Lily and her family.  Most of the memories in the book are in the movie.  Aside from the one thing I felt was missed, it was very well done.

It's here where we see the depth of Alan Rickman's ability to act.  I've loved him in all of his movies, he's a very talented man.  But in most of these movies he's shown very little emotion outside of calm, irritation, or some loosely vented frustration.  Here we see Rickman at his best.  There's parts where he's begging Dumbledore for help, where he's openly weeping.  And they even show him venturing in to Lily and Jame's house after Voldemort killed them.  He is sitting on the floor and has Lily's corpse wrapped in his arms and he is weeping profusely, rocking back and forth.

This was pretty touching.  I very much enjoyed these scenes and how each passed from one to the next with that same death eater poofy mist stuff.  Very cool.

The shot of Harry coming out of the Pensive is done in slow motion.  Harry has now learned he must die and that Dumbledore raised him simply to die at the precise moment necessary, at the hand of Voldemort.  He had already sort of known for a while that the connection between him and Voldemort was more important that they all originally believed.  But to have it confirmed by Dumbledore and Snape, a man who Harry never trusted until now when it was too late, Harry came to understand his true mortality.

As his faces rises out of the Pensive, his face looks darker, worn, tired, and even a little grizzly.  It looks as though he has passed from a teenager in to manhood, and as he walks away from the Pensive and sits on the steps, you can see just how difficult of a task lies before him.  He must willingly go to his death.  The camera spends time staring at him from a lower floor vantage as well as simply staring at his back as he sits on the stairs.

He then leaves and meets up with Ron and Hermione, briefly but not entirely explaining why he is going to sacrifice himself.  He does give them the brief instruction of "kill the Snake, then him".  After a tearful hug from Hermione, he leaves.  /sad day.

Harry goes to the forest and randomly pulls the snitch out of his pocket, finally understanding what the phrase "I open at the close" means.  He utters, "I am ready to die" and it finally opens.  Below is the Ressurection stone, with which he uses to summon the ghosts of his parents, his godfather Sirius, and his friend Remus Lupin.  They all speak with him briefly and they follow him to his death.

Harry approaches Voldy, who utter his catch phrase of "The boy who lived ... come to die."  With an almighty bellow of Avada Kedavra, there is an explosion of white.  Out of focus, we narrow in on Harry (who is clothed, mind you) in a very ethereal place.  He then sees the dying corpse of the part of Voldemort that was inside him and Dumbledore appears.

They don't talk as much or as long as they do in the book.  Some of the more unnecessary comments are left out, and only the important bits are left.  That's fine, I can get behind that.  It's a movie, they can't talk for 20 minutes.  That'd be kind of dumb.  A very wonderful scene that I thoroughly enjoyed.

We come back to Voldemort lying on the ground in shock.  His death eaters try to help him up but he pushes them away.  Narcissa checks to see if Harry is dead, asks him if Draco is alive to which he nods his head in the affirmative, and Narcissa then turns to Voldy and says "Dead".

All the death eaters cheer.  They venture to the castle, and quite like the little art on top of the chapter that begins this part of the book, Hagrid is carrying a limp Harry in his arms.  The scene cuts quickly to to Neville who finds the sorting hat in the rubble of the courtyard.  He holds it with him as the death eaters and Voldemort approach.  More people come out of the castle, and Ginny repeatedly asks who Hagrid has in his arms.  Voldemort then shouts that the great Harry Potter is dead, and in a psychotic rage, Ginny bolts forth to avenge his death.

Arthur manages to snag her, Voldemort blathers on about how he's so awesome and that they'll all put their faith in him now for those that want to join, and the others that don't will be killed.  Narcissa calls for Draco to come forward, who hesitates for a very long moment, but eventually goes to her.  They promptly leave.  Voldemort keeps talking and Neville steps forward and gives a very heroic speech about how, even though their friends are dead, they're still within our hearts and they would die in vain if they were all to give up now.

In a freakish turn of events, Harry launches himself out of Hagrid's arms, people start attacking and Neville pulls Gryffindor's sword out of the sorting hat but does not yet know what to do with it.  And then Voldemort realizes his wand is still not properly working for him as he is unable to hit Harry with any curses.

Harry escapes, narrowly, but Voldy catches up with Nagini in tow.  Harry has a basilisk fang and is actually attempting to get at Nagini now, but Voldy notices and death eatr poofies him and Harry away from Nagini.  But that was kinda dumb, since it leaves Nagini behind completely.  This is fairly different from the book, but the action was necessary and works perfectly in the movie.

We see Ron and Hermione make several attempts on the snake and it's not until when they're both out of fangs that Neville comes in and saves the day.  With an incredible upwards heave of Gryffindor's sword, Neville decapitates the snake, which bursts into a huge cloud of grey smoke and flakes, faces of Voldemort screaming as it disperses into the wind.

Go, Neville.  It was a very bad ass scene.

We do see other members battling, as a scene interjects the plot here.  Bellatrix is dueling Ginny, and she stuns her temporarily.  Molly gets up in front of Ginny, and gives her one liner of the entire movie:

"NOT MY DAUGHTER, YOU BITCH!"  And then she kills Bellatrix in a matter of seconds.

We then see Harry and Voldemort battling and dueling.  This doesn't happen in the books at all, but I don't really care, it actually worked extremely well in the movie and was quite awesome.  They duke it out for several minutes, ending up back in the courtyard.  Their wands connect again, which turns out to be not so important in the movie, and just as Neville chops off Nagini's head, the connection breaks and Voldemort screams in rage.  He is truly mortal again and has no way of returning from death.

They handle the last strike between Harry and Voldemort decently enough for the movie.  Their wands connect, one last time, and Harry's overtakes Voldemorts, the red lava line reaching The Elder Wand.  It was an Expelliarmus spell (from the book) which, when it reached Voldy's wand, it pops out of his hand and flips forward, in epic slow motion, to Harry, who catches it.

And then Voldemort's own spell, pushed back on him, kills him.  His skin, eyes, tongue, and teeth darken, the skin dries, flacks and begins to fly away in the breeze and he falls, a lifeless corpse, to the ground.

Rejoice and celebration follows.  Aside from unfortunate deaths, the day has been saved by the boy who lived.  Again.

For the non-readers, there's a small scene at the end where Harry, Ron and Hermione are walking out on the bridge among the rubble.  Harry explains to the other two why he was able to overpower Voldemort and that the Elder Wand had belonged to him for several days now.  Ron is all excited about it, but Harry isn't.

I'm going to stop here for a moment and use capitol letters to express my one, deeply-seated, hated issue in this movie.

Harry, while up on a broken pedestal of sorts, TAKES THE ELDER WAND IN HIS HANDS AND SNAPS IN TWO, THEN THROWS THE PIECES INTO THE CANYON BELOW.

Why does this piss me off so fucking much?!  BECAUSE THEY GOT JUST ABOUT EVERYTHING ELSE RIGHT IN THE ENTIRE GOD DAMNED MOVIE BUT THEY COULDN'T TAKE FIVE FUCKING SECONDS OUT OF THE ENDING FOR HARRY TO TAKE OUT HIS BROKEN WAND, FIX IT WITH THE ELDER WAND, AND THEN BREAK THE ELDER WAND.

That's the whole reason I wanted to write this review.  While I was THOROUGHLY pissed at this, I still love this movie dearly and it was very well done.  BUT THIS LAST PART PISSES ME OFF.

Moving on...

The epilogue is in the movie, thank god.  And it was done alright.  They looked kinda weird with the makeup and prosthetic pieces to look like they were nearly 40 years old.  But, I'm glad it was included.  Very glad.  It was very well done.

Aside from that one bit that they really fucked up on, this movie was fantastic.  I loved it.  It was worth a midnight showing and my being tired as all hell today and having to go to band rehearsal at 6pm.

Go see it as soon as you can, it was awesome!

Wednesday, July 13, 2011

The Alchemist

I recently picked up the series of books entitled The Secrets of the Immortal Nicholas Flamel.  I saw the last book (or most recent book, not sure if it's the last in the series) in Target, in the Young Adult section, a couple weeks ago upon returning from Canada.  I picked it up to remind myself to get the rest of the series later.

The next day, after a very long day at show camp, I went to Barnes and Noble and picked up the first three in the series.  The first is entitled The Alchemist.  I just finished it on Monday and it ended somewhat abruptly.  I think it felt that way because of two reasons: 1.) I was reading it on my tablet and wasn't aware there were so few pages left and 2.) I'm used to reading 900 pages books whereas this book was just over a third of that size, with larger text, and wide margins.  Though the ending felt abrupt, that does not mean it was a poor book, or that I didn't like it.  It was excellent.

The Alchemist begins the series quite well, submersing you into the action right away.  The story is about two young teens, Sophie and Josh, who are twins.  Sophie is older by 28 seconds.  They are staying with their Aunt in California while their archaeologist parents are on a dig in Utah.  Both have summer jobs, Sophie at a coffee shop and Josh at a book store.  The coffee shop and book store are across the street from one another.

One day something goes wrong.  A man shows up with 3 large body guards, all dressed in dark suits, covered head to foot, and goes in to the book store.  Sophie is watching this happen, and Perry, the book store owner's wife, is watching this happen with her.  Perry begins to act strangely and races out of the coffee shop for her husband.

Magic ensues.  The owner of the store, Nick Fleming, is accosted by a man Josh doesn't recognize, but who Nick calls Doctor, or sometimes Dee.  We later learn his names is Dr. John Dee, and through this battle, the book store is destroyed as Dee and his Golems attempt to steal the Book of Abraham the Mage, or the Codex, from Nick.

Long story short, Dee steals the book, but not before John can rip the last two pages out of the back.  Sophie and Perry show up too late, and Dee is able to knock Sophie out of the way and capture Perry as they leave.

The rest of the story is about Nick Fleming, who turns out to be the infamous Alchemist Nicholas Flamel, and his wife Perenelle Flamel, both attempting to save the world from destruction under Dr. John Dee's agenda.  That is a brief summary of the book, but there's much more to it.  So here's the super-spoiler-filled-nitty-gritty on this book.

First, a rundown of the pseudo-lore here: picture a world where every god or deity ever worshiped were real beings of ultimate power.  The only "God" that doesn't seem to make it in to play is the monotheistic God of various religions.  However, other ancient gods that were worshiped centuries ago are part of a race called The Elders.  They were here first and when the humans, or humani, came about, some Elders helped and others didn't.  Some Elders believed that the humans were simply there to be the Elder's slaves.

During the time of the Elders, Earth existed in a Utopian state.  Everything was perfect, the Elders provided the most advanced sciences and magics possible.  And magic was definitely abundant, but to them, it was simply their version of science.

Eventually the Elders age ended, as human population grew and took over.  However, some humans had learned much from the Elders and some even became immortal due to the magical knowledge they gained.  Nicholas Flamel obtained the Codex and eventually created the Elixir of Life, allowing him and Perenelle to become immortal.  Others, like Dr. John Dee, became immortal through other means.

Dr. John Dee's agenda is aligned with Elders known as the Dark Elders.  There is a spell in the Codex he stole from Nicholas that can bring about the return of the Dark Elders.  Those are the Elders that believe humans existed to be slaves to them.  Dee does have slightly different plans in that, when he brings these Elders back, he'll rule the planet.  I doubt things would really go that way if he were to succeed in bringing the Elders back.

Some Elders, many in fact, still exist, but they stay in their Shadowrealms, places most humans do not know of that exist between the world of life and death.  Elders create their own Shadowrealms and live there.  We meet an Elder in The Alchemist: Hekate.  And the reason we meet her is because Sophie and Josh turn out to be two very important people.

In the Codex there is a prophecy about twins with auras of pure silver and gold, like the moon and the sun.  Sophie and Josh have those auras respectively.  Every human has auras, some not very apparent others very much so.  Sophie and Josh are exceptions in that their auras are very strong and pure.  Nicholas' aura is an emerald green.  Perenelle's is white.  These auras are how people conjure magic.  They concentrate energy into their aura and through their aura they can "cast" spells.

It's a pretty friggin' sweet magic system.  Very basic, very straight-forward.  There are basic elements of magic too: Water, Earth, Fire, Air.  But then, there's also Time.  This is pretty cool, and the reason I find it cool is because I've been writing a story recently that has the exact same magical system, where there's the basic elements but then there's the ability to manipulate Time as well, and not a lot of people can do it.

Moving on, Sophie and Josh are the twins in the prophecy and the prophecy predicts the possible end of the world.  One twin to save it, one twin to destroy it.  Nicholas' reasoning to bring the twins to Hekate is for her to Awaken them.  The Awaken is dangerous and they could die.  Josh doesn't like this at all.

In fact, Josh is a very untrusting character, especially when it comes to Nicholas.  He very rarely believes anything Nicholas tells him, mainly because other people have told him Nicholas doesn't ever tell anybody everything.  In fact, Dee ends up telling Josh the same exact thing.

When Dee finds that Nicholas, Scathach the ancient Warrior Maiden, and the twins are in Hekate's Shadowrealm, he recruits the Morrigan (Crow Goddess Elder) and Bastet (Egyptian Cat Goddess Elder) and attacks Hekate's Shadowrealm.

Hekate only has time to Awaken Sophie.  And here's where I get a little annoyed about the books.  Josh and Sophie are only 15 years old.  They act a bit older, more mature, which fits their characters because their parents are rarely around.  They're very independent but care for each other very much.

But now Sophie is very different from Josh.  She's powerful, she can fight off magic.  Josh feels useless and can no longer protect his older (by 28 seconds) sister.  She knows Josh feels this way even though he hasn't said anything, and hates the fact that she was Awakened at all.

Since Dee attacked Hekate's home, Hekate had no time to train Sophie and the four of them fled.  Hekate dies and her Shadowrealm is completely destroyed because of this.  We also find that Dee has Excalibur, which encases everything the blade touches in ice.  And he did this to Hekate and her World Tree, Yggdrasil.

Nicholas takes the twins and Scathach to Ojai where another Elder exists.  She also happens to be Scathach's grandma.  Her name is Dora, but her title is The Witch of Endor.  Her magic is Air.  She is blind. And she has glass orbs for eyes.

She is able to fill Sophie with all of her knowledge, a couple millennia worth of information and skills, so Sophie can turn down her senses, which are threatening to drive her insane.  Her Awakening did exactly what it sounds like it would do: awaken all the senses to extreme potential.  She's been dealing with sensory overload since Awakened and in most humans, that would drive them mad.  Sophie is stronger than most humans.

As Dora is training Sophie, Dee shows up and talks to John and fills him with a ton of doubt on the things that Nicholas has told him.  He then lulls John in to just sitting there in the park after he weasels out of him where Sophie, Nicholas and Scathach are.

Dee attacks with a dense fog and then begins raising the dead.  Nicholas, Sophie and Scathach try to escape but cannot.  John hears Sophie scream and is brought to his senses.  He goes and gets the Hummer that they drove to Ojai, and damn near kills Dee by attempting to run him over.  This causes the raised dead to crumble, but only after Sophie had used so much energy casting Air magic that she's nearly passed out.

Dora comes to the rescue after John joins the group, and brings them back in to her shop.  She sends them through a leygate to Paris.  John hesitates as Dee shows up, who tries to convince John to go with him.  Sophie's head pops out through the swirling misty mirror telling Josh that she'd never leave him behind because he's her brother.  Josh takes her hand and follows her in.  Dora destroys the mirror and then the shop explodes.  Dee narrowly escapes.  Dora was unharmed.

That's where this book ends.  It felt abrupt as it was right in the middle of the action.  But the next book pretty much picks up where it left off, excluding an introductory chapter where Dee contacts another immortal known as Niccolo Machiavelli.

Overall it was a great book.  My only ... discomfort at this point is that I'm not used to reading short books.  So I need to get in to the mindset again that not a ton of stuff is going to happen in each of these books.  I think the longest is around 400 some-odd pages.

Good book, highly recommended.

Thursday, July 7, 2011

Samsung Galaxy 10.1" Tablet

What's this?  Could it be?!  *Gasp*  Yes, I think it is.  An actual Technology Review post.

Huzzah!

Last night, when I was up until 12:30am, I posted a more personal, about-me-ish entry.  I did this using my new Samsung Galaxy Tablet with keyboard dock.

Let me tell you, this thing fucking rocks ice.  It's sleek, lightweight, easy to transport, fast, and does everything a laptop does except play full versions of video games.  I definitely got the bang for my buck on this technology investment.

My only complaint is that the keyboard dock is a little flakey sometimes.  Oh, and the tablet itself likes to tell you when it's charged to 100%.  It lights the screen up and plays the universal notification ringtone for you...

Hella annoying at 2:30am.

But it's fantastic otherwise.  Screen is great, awesome colors, bright clear whites and deep, non-pixley blacks.  Multitasks like a champ, too.  I can browse the web, listen to music, and swiftly switch to checking email or playing a game in seconds.  I also enjoy reading books on it.

I don't have much else to say about the device except that I'm laying in bed right now using it to post this.  And I feel bad for my laptop.  The only thing I'd use it for is if I travel for a super extended period of time where I know I'll have decent internet and want to play WoW or Rift while I'm gone.  Unfortunately, that's the small use I have for my laptop now.  I'll find excuses to use it still :P

Minnesota Brass, Inc.

Back in January I joined a drum and bugle corps called Minnesota Brass, Inc.  They are a "senior" corps, meaning they're an all ages corps.  So younger kids in high school (no younger than 16, I think) all the way up to a few people in their 50's can be a part of this drum corps.  Junior corps (Cavaliers, Blue Stars, Scouts, etc) are 22 years of age during the season or younger.  And some (I think only two now) are male only...

When I joined MBI in January, I had absolutely no fucking clue what I was getting myself in to.  I could handle the 4 hour Wednesday night rehearsals every week.  But what I didn't realize was that was just the winter schedule.  Come April, we started to ramp things up.  We got our drill, we were already memorizing music that would later be changed drastically, and we were already outside.

The first weekend of out door drill running was disgusting.  It was a bitter 35 degrees outside, and big clumpy chunks of a sleet-snow mix was falling in sheets and buckets.  I was fortunate enough to still have my snowboarding coat in my car.  While my core was dry, my jeans were soaked.  I had no gloves either, so my hands were frozen to the bone.

Give it two weeks, and the next weekend of out door drill, the first actual camp, and it was a balmy 65 degrees, and super sunny.  I was burnt in a matter of minutes without suncreen (no clue it was going to be so nice outside) and ended up going to urgent care the next day.  I was ordered to stay inside and had to use burn cream to stop the pain.  I missed the second day of camp (which was Mother's Day and had been shortened anyway, so I didn't miss much).

Since May, we've had a smattering of all-day, 10 hour camp weekends (on both Saturday and Sunday) where we've managed to learn ALL of our drill for the season, with a shit ton of changes that have since followed and more are on the way.  And we've continued to rehearse on Wednesday nights for 4 hours (6 to 10 pm).

Ladies, do you want a definite exercise to tone up the upper arms?  Get a 10lbs dumbell (free weight) and put both hands on it, then hold it up 10 degrees above parallel to the ground, but pointing at your face.  Kind of like you're going to play a trumpet.  Try doing this for 5 minutes. I GUARANTEE YOU IT IS A LOT FUCKING HARDER THAN YOU MAY BE THINKING RIGHT NOW.  This actually simulates holding up a Baritone.  (I think a baritone is only 8lbs, but still, it's fucking heavy and the weight is NOT distributed evenly).

I have to do this for 10 minutes for our show.  There are a couple girls who play Euphonium, which is larger and weighs more, and they're way better at it than I am.  But I swear, my biceps, triceps, shoulders, pecs, lats, and whatever the hell you want to call the forearm muscle have all toned up by doing this multiple times a day.  Not just Wednesdays and on the weekends at camp.  At home, when I don't have time to practice and I can't get to my baritone, I've got two 5lbs free weights that I grab together and just try to hold them up at 10 degrees above parallel for 5 minutes.  I can ALMOST do it.

The leeway I have in the show is that there are a few spots where I can put my Baritone down to what's called carry (right in front of me but perpendicular to the ground) or suitcase (which is down by my hip in just my right hand).

So I've been working up the strength to not put my horn down during "run-throughs" the entire show the last month now and I had not successfully accomplished this yet.

Until tonight.

Earlier this evening, we did two runs of our whole show that included several on the spot changes.  Regardless of those changes (both in terms of drill and music) we were able to get through it all.  And in the first run of the show, I was able to keep my horn up the WHOLE time.

For me, that's huge.  I have had visual staff and my fellow Baritones bitch me out like righteous assholes (they've admitted to this) for my inability to keep my Baritone up the whole show.

I just hope they noticecd that I did it this time.

Unfortunately, the second run through was at about 9:50pm (which is what we usually do), in shakos and uniform jackets (which makes this way more difficult) and I had a couple spots where I was resting the back of the Baritone on my collar bone.  Oh well, I'll get there.  Eventually.  Before Finals in August/September.

And since the bugs were so nasty this evening, I had to put bug spray on.  I hate bug spray.  I jumped in to the shower immediately upon returning home to get that nasty shit off me.  That's why I'm still up at quarter after midnight.

The main point of this post is that, while my experience with MBI hasn't been exactly ideal, tonight was a HUGE turning point for me.  I feel more confident in my drill, my music, and my capabilities as a musician and an athlete than ever before.  I have come a long way and am very proud of exactly what it is I am doing.  Not only am I improving my health (this shit is good exercise, mang!) but I am definitely improving as a musician again.  I never realized just exactly how much I missed marching until this summer.  (Last Monday was killer though, two parades in 90 degree heat and full uniform.  Eff that noise, I think I lost 10lbs sweating.)

The greatest part about MBI is that it has given me the chance to be a part of something great, something bigger than just myself.  I am part of a group of people that are incredible musicians and athletes, and while I may not know all of them or talk to all of them, they're all awesome.

To all of my friends who are saying I'm crazy for doing this, for busting my ass, and for paying to be a part of this group instead of me getting paid to do it: eff you.  I'm lovin' this shit.

To all of my new friends in MBI:  I'm on a boat.  And it's heading for Valhalla.

Rock.

And for good measure, attached is a picture of my cat as he's sleeping on the couch next to me.  Completely unreleated, I know, but I couldn't resist.  Doesn't really matter any way, this entire post is completely unrelated to my blog to begin with.


Tuesday, July 5, 2011

This Has Nothing To Do With Books/Movies/TV Shows/Technology

It has everything to do with idiot fucking drivers.

I'm not even going to explain what the fuck happened to ruin my commute today.  I'll just post this link and say that it screwed EVERYTHING up:

Stupid Twat Garbage Man

That having been said, these rules should be taught in driver's education and these changes should be made to the laws on our roads:

1.)  DO NOT TAILGATE.  FOR WHATEVER REASON THIS MAY FASCINATE YOU, DON'T FUCKING DO IT.  It is NOT the proper way of telling someone they're driving too slowly for you.  If you're gaining on someone in the left lane that's not going fast enough for you, flash your brights a couple times.  That'll piss 'em off enough and they'll GTFO of your way.

2.)  PUT YOUR FUCKING CELL PHONES AWAY.  Not only that, put your news papers away, your maps, books, lattes, make-up, all of it.  AWAY.  As in, OUT OF YOUR REACH WHILE YOU'RE DRIVING.  Put both hands on the wheel, NOT at 2 and 10, but at 9 and 3.  This will give you optimal turning radius if you do have to avoid someone.   BUT YOU HAVE TO BE PAYING ATTENTION FIRST, DUMB ASS, so get rid of all distractions first.

3.)  Fix shit on your car that doesn't work.  ESPECIALLY YOUR BREAK LIGHTS.  Someone WILL rear end you because they couldn't tell you were stopping because your break lights were not working.  However, those people should refer to RULES 1 AND 2 because if they weren't tailgating and were paying attention, they would have had the time to realize you were stopping.  BUT STILL, mostly you're fault, only partly theirs.

4.)  THE LEFT LANE IS NOT FOR CRUISING ABOVE THE SPEED LIMIT.  It is for passing.  If people are driving too slowly for you, utilize the left lane to pass them, THEN GET BACK OVER.  There will, undoubtedly, be someone who wants to go 90 mph behind you.  Let them.  It's their ass on the line, not yours.  And don't DART in to the left lane when you see someone barreling down said lane, forcing them to slam on their breaks.  That's just stupid.  You wouldn't, bodily, jump in front of a speeding car, why would you put YOUR CAR, AN EXPENSIVE, DEPRECIATED PIECE OF MACHINERY, in harms way?

5.)  If you want to drive slow, GET THE FUCK OVER TO THE RIGHT LANE.  If you're going slower than EVERYONE else on the highway, speed the hell up.  You're a hazard.  You may think you're being safe, but you're really just causing more traffic because then EVERYONE has to pass you.

6.)  MERGE!  LEARN TO DO IT PROPERLY.  Don't expect to merge on to a major interstate, where people are typically going 65+, at 40 mph.  I know some on-ramps are short, but I don't care, punch that shit, and find a spot.  Nobody will let you on going that slow, except for idiots like me that are too nice and they slam on their breaks to accommodate your dumb ass.

7.)  FOR THE SAKE OF MY SANITY, STOP FUCKING TAILGATING.

Real 7.)  Stop tapping your breaks for no reason.  You just look like an idiot when you do that.  (Not to mention it causes a chain reaction behind you and makes everyone freak out unnecessarily).

8.) Stop cutting people off.  If you need to get over, speed up, don't break to get in behind people.  AND DON'T WAIT TO THE LAST EFFING MINUTE TO GET OVER FOR YOUR EXIT.  PLAN YOUR ROUTE AHEAD OF TIME AND GET OVER WELL IN ADVANCE.  If the right lane is going too slow for you, tough shit.  All you do is cause a hazard when you wait to the last effing minute and weave across 3 lanes and use the shoulder to take your exit.  If you have to do that, skip your exit, go to the next one, and learn the area well enough so you can use side streets to either go back in the opposite direction on the same high way and take your intended exit, or find side streets to the street on to which you wanted to exit.

That's all I can think of for people on the road.  Now for a new law/concept for the roads:

1.)  Get rid of speed limits.  Use speed advisories instead.  If people want to go 100mph, let 'em, Darwinism rocks.  (I don't want to hear the complaints that it puts everyone else at risk.  It doesn't.  "The overaall road traffic safety of German autobahns is comparable to and in some cases better than that of other European highways. According to the statistics collected by the International Traffic Safety Data and Analysis Group, there were 2.2 road user fatalities per billion vehicle kilometers on German autobahns in 2008. Neighboring countries with available data include Belgium (4.2 in 2007), the Netherlands (2.1 in 2009), Denmark (2.5), Austria (4.2), Switzerland (1.2), and France (1.8). Using the same statistic, 4.5 fatalities have occurred on US on motorways".  Sure, it's a Wikipedia quote, but I don't give a shit at this point.  Accurate enough for me.)

2.)  Weaving lanes (on ramps that are also off ramps) suck, redo them all.  I want to shoot the civil engineer who came up with that one.  And I'm pretty sure some municipality forced this civil engineer, at gunpoint, to develop a less expensive design for on/off ramps and he came up with that horse hockey.  It's outdated and doesn't accommodate for the incredible level of traffic that exists in most metro areas.

That's my new law and my new concept, too.  I don't have a problem with people that want to drive super fast.  I have a problem with people that weave in and out of traffic doing it, or drive really fast right up to someone's bumper as if that's going to make them move.  That wouldn't happen if people followed the above rules, and then the speed limits were done away with.  BUT PEOPLE HAVE TO FOLLOW THOSE RULES otherwise we can't get rid of speed limits.  Sure, there are other factors that cause traffic congestion, but I'm just touching on the points that piss me off.

And for the record, every time you read capitol letters above, I WAS SCREAMING AS LOUDLY AS I COULD.  <-- Yelling there too.

Friday, July 1, 2011

Harry Potter and The Deathly Hallows

If I remember correctly, I wanted to go through all of the Harry Potter books and do a chapter by chapter review thing.  Well, I recently reread Harry Potter and The Deathly Hallows in a about a week.  It was more of a skimming, with what little free time I have, so I didn't get all analytical about it.

My main intent with this reread was to prep for the second part of this movie and last movie of the series.  And I am super glad I did this.  I haven't read the book since before I saw the first part of the movie.  Now, I definitely see where those that have not yet read the books are seriously confused people.

I also recently rewatched the first four movies on ABC Family.  They were doing some sort of Harry Potter weekend thing on some holiday recently, not sure which, and I watched most of them.  I realized just how incredibly accurate the first movie was, excluding a few very minor and unimportant continuity details.  The second movie was very similar, and while I have not read Chamber of Secrets in several years, I was able to recall a few things that occurred differently.  The same can be said about the third movie, but there were more things omitted or done differently than the first two.

The fourth movie was the first in the series that had some major modifications, whether it was to a minor character being omitted and his or her lines being given to someone else, or entire scenes being omitted.  Nobody that has watched the movies and not read the books knows what S.P.E.W. is.  And it was somewhat important.  House Elves play a major role in the end of the books ...

But the fourth movie was still my favorite, as well as my favorite book, until Deathly Hallows came out (book as well as part 1 of the movie).  The movie was alright, they did do some heavy modifications to some scenes and omitted quite a few scenes as well.  But I was okay with this.  And the reason I was okay with this was because of the scene where Harry, Ron, and Hermione are visiting Xeno Lovegood's home.  Hermione reads The Tale of the Three Brothers.  And the animation in the movie was phenomenal.  I was so pleased with how this was handled, it redeemed some of the other parts that were poorly handled.

Like when Harry, Ron, and Hermione are trying to escape the Ministry headquarters.  I did not realize specifically how heavily modified this scene was until I recently reread the book.  They don't start transforming back in to themselves until after they've left the building.  Harry, as Runcorn, and Ron and Hermione as Cattermole and Mafalda respectively, are escorting a group of muggle-born wizard's out of the building after stunning Yaxley and Umbridge.  Intruders are known to be in the building but they don't know it's these three using polyjuice potion.

What screws the pooch on this is that the real Reg Cattermole shows up and his wife is there being escorted out of the building by Ron.  Everything starts happening quite quickly at this point; Yaxley shows up and says to seal the exits.  A balding wizard was confronting Runcorn/Harry at this time, but most of the muggles-borns were able to leave before Yaxley shows up.  Harry punches the balding wizard in the face who is preventing him from leaving, and accuses him of assisting the muggle-borns from escaping.  Baldy's friends yell in protest, Ron grabs Mrs. Cattermole and goes through the fire place, the real Reg Cattermole wants to know who was with his wife, and a dawning of understanding hits Yaxley who attacks Harry/Runcorn.  Harry grabs Hermione/Mafalda, jumps in to the fireplace but Yaxley is hot on their heals.

It's not until AFTER they get out of the building, back through the toilets down which they flushed themselves, that Yaxley catches up with them and Hermione attempts to Apparate them away.  At this point however, Yaxley grabs a hold of her arm and won't let go.

They could have done a much better job of this in the movie so people that hadn't read the book wouldn't be so confused.  Instead of the dramatic slow motion chase that occurred, they could have taken those five minutes, and showed Harry/Runcorn, Hermione/Mafalda, and Ron/Reg running just with Mrs. Cattermole to the fire places and being accosted by the balding wizard, saying that they cannot take Mrs. Cattermole with them and that no one is to leave.  Two seconds later, Yaxley comes in, Harry punches the balding wizard, accuses him of trying to assist Mrs. Cattermole in escaping, Baldy's friends rise up in protest, Ron grabs Mrs. Cattermole and flees through the fire place, Yaxley attacks Harry, Harry grabs Hermione and they dive for the fire place.  Once out of the toilets, they show Ron (still as Reg, maybe even transforming back at this point) arguing with Mrs. Cattermole, Harry and Hermione grab him, with Yaxley hot on their heals, and as that Apparate, all they needed to show as Yaxley grabbing Hermione's arm, trailing behind her as Harry pulled her behind him.  She could have been looking back to see if Yaxley was catching up and swung her arm around while doing so, just as Harry reached Ron, and then Apparated right as Yaxley grabbed her.

But no.  They went the drama-ridden route and did a slow motion chase to the fireplace, which further confused viewers because they flushed themselves in to the fireplace, but now you can Apparate immediately upon reaching the fireplace?

Most non-readers didn't even know what Apparition was.  Hermione tries explaining what happened after but she's in such a state of shock due to Ron's Splinched arm, that her delivery of said explanation is somewhat drowned out by her gasps for breath.  Not to mention most viewers are more concerned with Ron's predicament.

That scene for me was one that I really disliked and was thoroughly frustrated after that.  Luke was so confused, he thought a lot of the rest of the movie was a dream or not really happening until he asked me during a camping scene after Ron had left and I corrected him.

And now that I've seen some trailers for the last movie, I'm very scared.  I'll list my concerns/questions by bullet points:


  • First, I've seen a sneak peak of a scene in the movie THAT'S NOT EVEN IN THE BOOK.  Ron and Hermione, in the book, return to Harry after a brief period of separation with basilisk fangs in their arms.  All they do is explain that they went to the Chamber of Secrets and popped a few fangs off of the basilisk corpse.  In the movie, it appears there is going to be about 5-7 minutes worth of a scene showing Ron and Hermione going to the Chamber and removing the fangs from the corpse, as well as destroying the cup of Helga Hufflepuff.  Which causes the waters of the Chamber to attack them ... and it looks like they have to escape.  That definitely did not happen ...
  • Second, there's a lot of Harry and Voldemort battling by themselves in these trailers.  Um ... that never occurs.  They're always among other people.  Harry does go it alone once, but Voldemort is with his crew in the Forbidden Forest, and yet we never see a shot of scene like that in the trailers.  It's always just the two of them.  I hope the trailers are very deceiving.
  • Third, where the fuck did they get Harry and Voldemort jumping off a destroyed rampart of the castle?!  There are a lot of fight scenes occurring that are just not right in these trailers.
  • Harry and Voldemort don't have a prolonged connection of wands again.  THIS IS SO INCREDIBLY IMPORTANT.  It totally ruins the entire plot twist of the whole book.  Because Voldy is not the true master of the Elder Wand, it will not work properly for him.  And more so, because Harry is the rightful master, Voldy shouldn't even be able to attack Harry with it.  The trailer shows them having another prolonged Red/Green lava lightning bolt connection and that is impossible.  Voldy get's two shots on Harry, the first where he "kills" him, and then later when he tries to do so again, but because the wand does not belong to him, Harry overpowers him with Draco's wand using the old reliable Expelliarmus spell.  That's it.
  • Why are they showing flashback clips to when Harry was a baby and Lily is talking to him through the crib?  That shit never happened either.
  • Why are they showing the destruction of the Quidditch field?  They never go near the effing thing.  They're always right in front of the castle, in the castle, or slightly in to the Forbidden Forest.
  • Why does Harry have a seizure after Hermione stabs Hufflepuff's cup with a basilisk fang?  He didn't have one when the Locket or Ring was destroyed ...
  • Why is Molly with McGonagall when she's arming the castle's magical defenses?
  • Do they really have to show Tonks and Lupin reaching for each other before they die?  C'mon, I'm going to be bawling my eyes out enough as it is with the death of Fred, you have to show Lupin and Tonks' deaths?!
  • Why is Lucious Malfoy even given his own bit of screen time in the trailer, dammit?  The only reason him and Narcissa are there is to find Draco.
  • Why is the bridge to the castle being destroyed?
  • WHY DOES HARRY GRAB VOLDEMORT AND JUMP OFF THE CASTLE?!?!?!?!?!?
  • AND WHY ARE VOLDEMORT AND HARRY BOTH CRAWLING TO REACH THE ELDER WAND AS THOUGH HOLDING IT IS GOING TO MAKE A DIFFERENCE?!  THAT'S NOT IMPORTANT!!!
However, I am thrilled to see things they have gotten right:
  • Gringotts and traveling down to the vault.
  • The blind dragon that they escape on looks bad ass.
  • FiendFyre looks awesome.
  • MOLLY AND BELLATRIX GET THEIR FIGHT SCENE!
The possible cons outweigh the pros at this point and I am thoroughly worried.  I know they're just trailers and they're typically very deceiving.  Often times there are scenes in the trailers that aren't in the movie itself.  So I'm trying to do my best to take these trailers with a grain of salt but I'm worried that the plot devices, the three majorly important ones (Snape is a good guy and Dumbledore and him planned Dumbledore's death a year in advance, Snape's love for Lily, Draco having been the previously rightful owner of the Elder Wand and Harry defeating him, which they did prominently display in Part 1) are made blatantly obvious because Harry comes right out at the end of the book and explains it all.  In fact, I hope they have that exact scene, ver batum, in the movie.  Then that way, it will ensure the non-readers will understand the plot twists.

If this scene isn't in the movie, the whole thing is going to suck balls.  It's the most rewarding scene, next to the epilogue, in the entire god damned series.

I think I'm going to see this opening night ...